The cover was painted by a different illustrator to the rest of the illustrations - namely, John Butler. The scaly textures are actually rather nice, and reminiscent of our old favourite Bernard Robinson's work. The creature itself leaves a little to be desired - it's one of those peculiar, late '80s style 'diddy allosaur' dromaeosaurs, illustrated for whatever mad reason in a squatting position, like it's about to...lay an egg. Although there's no nest. Judging by the expression on its face, that's a particular large and painful...egg that it's trying to pass. Poor thing. Note the once obligatory 'Deinonychus dewlap', invented by Bakker and perpetuated by many others, including, yes, Sibbick in the Normanpedia. As I've said countless times, I'd still rather have carefully painted, but thoroughly inaccurate stuff like this than the CG eyesores that clog cheapo dinosaur books these days (see David's recent post).
All of the inside illustrations are supplied by Peter Bull. If he lived in the East Grinstead area at the time, he was presumably the sole reason why I could never find the Normanpedia in my local library. The title page, admittedly, appears to be quite Sibbick-free; here, we have an allosaur threatening a small sauropod, while in the distance another (quite Bakker Barosaurus-esque) beast is distracted by passing pterosaurs. Delve a little further, however, and things start to become a whole lot more tiresomely predictable.
Oh boy. Every single one of these creatures is a Normanpedia copy - even the oddball upright poses of the Tyrannosaurus and Pachycephalosaurus are reproduced faithfully, and it's pretty clear that Bull didn't really know how large these animals were relative to one another. Furthermore, there are some seriously iffy perspective fudges going on. A number of the animals, including Rexy, have legs that seem to be cut off at the knee, while Stegosaurus' head pokes out in front of Pachycephalosaurus in spite of the fact that it's clearly standing behind it. The Diplodocus, meanwhile, is just...horrible. And probably a mislabelled Apatosaurus.
Thankfully, there's a full-length illustration of the adorably goofy-looking, googly-eyed Rexy later on in the book, chowing down on some unfortunate green thingamabob. Rexy's malformed feet are a Sibbick feature, but his fantastically gormless expression and popping orange eyes are new. But where do the legs end and the feet begin?
Perhaps the most revealing spread in the book is on dinosaur intelligence. Naturally, troodonts are showcased as being especially brainy dinosaurs, perhaps capable of later evolving into shiny, dome-headed, tool-using green fellows. The individual on the left is obviously a direct copy of Sibbick's Troodon, and appears fairly respectable for the time. Meanwhile, the one on the right shows all the evidence of the artist having only the one reference to go on, what with its stumpy tail (foreshortened in the original) and spindly, atrophied calf muscles (hidden in the original). As if to accentuate its sheer derpiness, it even has the more vacant-looking face of the two. Still, if it's lucky, maybe Sibbick-Troodon will give it a smooch.
Equally brazen are these Tuojuiangosaurus. Again, the individual on the left (foreground) is simply a direct copy, while the one on the right is a deformed mirror-image. It's as if Sibbick's creations stumbled upon the land of their ugly, evil doppelgangers - the Lost Valley of the Shambles-o-saurs (which I'm quite sure is actually the title of the 23rd straight-to-video Land Before Time sequel).
Care to guess what the title of this spread is?
Of course they weren't - among animals, 'stupid' is rather relative. On the other hand, the Dinosauroid was pretty bloody stupid, and this one has a face like an adorable little octopus (or perhaps an Octorok). Say, has anyone drawn a feathered Dinosauroid yet? With cockerel-like tail feathers protruding from its pygostyle/coccyx. A Dinosauroid-rooster! Make it happen, as an amusing commentary on advances in palaeontology!
Thankfully, it's not just Sibbick who gets ripped off in this book - there's room for a little Greg Paul plagiarism, too. Note that the Paul copies immediately look more 'modern'; this Brachiosaurus, based on Paul's oft-updated Giraffatitan piece, appears incongruously lithe and muscular when compared with other sauropods in the book. By virtue of the magnificence of the original, this is one of the better illustrations in this book.
Other Paul copies are, shall we say, less successful. One has to feel a little sorry for these Allosaurus, apparently ignorant of the fact that their quarry sports the same very toothy head as they do. It'll be a bit of a shock when they get down to the good ol' fashioned neck bitin' later. (And yes, that's Nessie. And yes, it's mentioned that if it were ever found, it would probably be a marine reptile, and not a dinosaur. What's wrong with it being a freakishly gigantic temnospondyl? Or the twisted result of genetic experimentation by a hitherto unseen relict race of chrome-domed scaly green men living in a bubble base deep beneath the loch? Come on, use your imagination.)
And finally...Archaeopteryx, here painted as the Rainbow Chicken of Doom. Because birds are colourful, right? 'Cos they have feathers, yeah, and feathers are for showing off and that, right? Don't you remember that outbreak of mass hysteria in London in the 1960s, when a bunch of tripping hippies attempted to follow a flock of day-glo acid sparrows into the sky? Crazy times, man. Anyway, this Archaeopteryx at least doesn't have a scaly face or wing-hands (at least, the main illustration doesn't), but it's also lost its tail along the way. I blame the hungry, hungry hippies.
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