'It's your turn now.' Dippy and the Blue Whale

'It's your turn now.'
Ink on watercolour paper, 202 x 100mm.

Scarcely had I mentioned how well Sophie the Stegosaurus complemented the presence of the beloved Diplodocus at their respective entrances to London's Natural History Museum than news of the latter's planned retirement emerged, apparently splitting the public and experts alike into 'Team Dippy' and 'Team Whale' across social media.

Of course I'm sad -- very sad -- to see 'Dippy' retire (no, I don't much care for the name either, but that's another story).  For me as for so many others, it has been the museum's de facto mascot and symbol for as long as we can remember. And lest our readers forget, sauropods are among my favourite dinosaur groups. My own 'saurian portrait' is a Diplodocus, for heaven's sake.

 'However, change, or its refusal, is not within our gift.' I welcome the blue whale with happy, if subdued, acceptance. Of the many voices in its favour, Michael Rundle of Huffington Post UK encapsulates it best for me, not least because he puts forward the case with great respect and affection for both without any of the unnecessary aggression and derision I've seen accompany some arguments ('Dippy is fake! A lie!'). My illustration above attempts to reconcile this change in the same vein. The title of 'It's your turn now' speaks both of the whale skeleton's place in Dippy's stead and of the blue whale's fragile existence being celebrated now. I wanted to avoid that dreaded word, 'relevance', much bandied about in this case. Nevertheless, highlighting the blue whale's significance doesn't seem to me to signal a disregard for the Diplodocus. But perhaps I'm not cynical enough on that score.

N.B. This post was prepared ahead of Mike Taylor's post over on SV-POW on the same subject, in which he actually advocates having both skeletons together, a suggestion that I could only be too happy with, were such a thing possible.

'Sophie'

The unveiling back in early December of the world's most complete Stegosaurus skeleton at London's Natural History Museum won't have escaped many folks within the palaeo community. Naturally, as the UK contingent of LITC and being within easy distance of the museum, Marc and I were duty-bound to make our own visit to the new treasure, even if we were over a month late (where were our invitations to the official do, pray?).

With over 90% of the original specimen present, 'Sophie' is a permanent addition of which the NHM can be justly proud. Rather than being secreted in the now problematic Dinosaur Gallery -- about which much has been written here and elsewhere -- she is instead given prime position of her own in the Earth Hall, near the museum's Exhibition Road entrance, paralleling that of 'Dippy' the Diplodocus in the central Hintze Hall. Mounted in a dynamic, defensive stance, she occupies a rather swanky platform of serried steps, somewhat reminiscent of the atrium of New York's Guggenheim museum.

This individual was reportedly only a young adult when it died, as suggested by 'some features of the hips', according to the signage. The specimen is also perhaps notable for having nineteen back plates rather than the commonly recognised seventeen. The skull here is a cast, though information on the NHM website seems to suggest that fragments of the original did survive.*

Obligatory photographic evidence of the intrepid goons' actual visit, taken by Nicole Heins -- who once contributed her own guest post!

Our readers will have doubtless seen Bob Nicholls' stunning painting commissioned by the museum as part of the exhibit. From the sublime, therefore, you will now be treated to the ridiculous: this doodle I drew on a Moleskine leaflet a while ago in an unoccupied moment (Marc said to include it in the post, 'fo sho', so there it is).

 

*I've since been informed by a friend who works at the NHM that the museum does indeed have the complete skull, and that the one on the mount is a 3D print of it!